TJM said:
Though I'm not really well versed in christian literature…. or any literature, I don't believe a more accurate picture of God has ever been created. Wether it's a well written mystery or not strikes me as beside the point. In the end this is a book of theology. I tend to think the authors intent was a revelation of Gods character rather than a good mystery. So, using mystery to get attention he draws people into a book of theology. Ah geeze, I don't even know what direction to go with this.
Hey TJ - glad to have a discussion going on this one!
First, don't knock yourself for being “not really well versed” - you are the common man (and I'd say a few steps up even), so this book and any book should be accessible to you and I to communicate well. The fact that this book connects with you says something to its' credit for sure.
Now, is this really a book of theology? I think in some ways yes, and in some ways no. I think it can be dangerous to take it as thus (what if we find out that God isn't actually a wise-cracking woman from the southern states who loves to cook us up some grits?). I think my discomfort with the book comes from the assurance the author seems to have - if he really sees this a straight teaching book - that what he is teaching is the truth (and not just a possible manifestation of the truth). I know many people are taking their theology from this book these days, rather than from scripture, and as much as I love a good story, that's one of the dangers of story. It can be so effecive that we don't even question what it is teaching us. I think any theology in this book (like anywhere else) needs to be lined up with Scripture.
I guess all of that to say, yes, I am sure the author intended to teach things about God with this book, and the story was just his vehicle to do that. But, (A) The better you tell the story, the better you teach, actually (the reader should not even be aware that they are getting a lesson on theology - at that point, the story itself has lost its' power) and (B) we should accept that this is one man's interpretations on who God is. While I see a lot of truth there, it is not Gospel. As much as these depictions of God may appeal to you or I (north american well-to-do Christians), they may seem repugnant to someone else (too sentimental for one, not relevant to another). That's why we need many slants on God - many sides to see him from. This story is a valuable entry into that mix, but not the defining one, I don't think.
For instance, Aslan connects with me so often on so many levels in Narnia (and I am not a cat-lover!). But for others, they may not get that, or may not like Aslan much. And that's OK, because, after all, Aslan is NOT Christ, but a pale picture of Him. And Narnia is not scripture. So, I just worry about putting too much stock in any one story - we see Christ clearest when we look for Him in every story, and build a composite from those truths, I believe.
Case in point, you said, “I don't believe a more accurate picture of God has ever been created.” But I find Aslan a closer representation of Christ to my understanding. Neither of us is right or wrong - just connecting on different levels with different parts of a very complex Personality.
Now, about the power of this story to move people, I totally agree with you, and I was moved. Again, I believe that's why this book is succeeding - it has much to say to many people who may not even pick up a Bible any more - this may be all the theology their getting (which, again, is a heavy burden for any author to bear). People are being healed and touched by the book, and I doubt you're the only one with break-time red-eyes from reading it at work. It teared me up just listening at points too.
So, I don't want to be overly critical, I just think that as artists, we need to evaluate these things from another level as well. I have seem people genuinely touched from the most horrible garbage (which the Shack is not, don't worry), and to me, that validates the power of the Holy Spirit more than the power of the work itself. The Shack has been panned by many critics, so I wonder how much more powerful it may have been if it could have connected with people who have a very high standard for what they read?
To refer to Narnia one last time, people are still reading it, not because it is Christian necessarily, but because its' story works so well with or without a message. The message becomes a treasure you discover more and more with time. And people that are brought into that simply as a literary classic are also exposed to that message. I don't think the Shack will have that kind of reach, but I believe it could have.